“I’m afraid that if you look at a thing long enough, it loses all of its meaning.”
Andy Warhol (via dailykwotes)
art-centric:

Ollivier Fouchard

art-centric:

Ollivier Fouchard

de-salva:

Takeji Iwamiya “Sado” / Photobook
Tokyo: Asahi Shimbunsha, 1962, First Edition / Text in Japanese. Signed and numbered by the photographer in an edition of 2000.

de-salva:

Takeji Iwamiya “Sado” / Photobook

Tokyo: Asahi Shimbunsha, 1962, First Edition / Text in Japanese. Signed and numbered by the photographer in an edition of 2000.

focus-damnit:

(via Favorite Pins | Things I liked this week - French By Design)
1910-again:

Yayoi Kusama, The Night (2) 1953

1910-again:

Yayoi Kusama, The Night (2) 1953

thatsbutterbaby:

Ernst Fuchs, Flora erwacht.

thatsbutterbaby:

Ernst Fuchs, Flora erwacht.

mystikmaskart:

#tbt Mystic Mask 208 :: From 2011, drawn at #DelMar Beach  (at Alexander Gate Studio)

mystikmaskart:

#tbt Mystic Mask 208 :: From 2011, drawn at #DelMar Beach (at Alexander Gate Studio)

insolitum:

The Disintegration of the Persistence of Memory, 1954
Salvador Dalí

insolitum:

The Disintegration of the Persistence of Memory, 1954

Salvador Dalí

transistoradio:

Byron McClintock (b.1930), Smoke Creek Ranch (2005), mezzotint, roulette, and drypoint, printed in colour, on antique-white Rives wove paper, 31.6 x 35.1 cm (image). Via annexgalleries.com.

transistoradio:

Byron McClintock (b.1930), Smoke Creek Ranch (2005), mezzotint, roulette, and drypoint, printed in colour, on antique-white Rives wove paper, 31.6 x 35.1 cm (image). Via annexgalleries.com.

asolitarycomfort:

Saul Leiter

asolitarycomfort:

Saul Leiter